Reading Notes


February 11, 1998


"The Laugh of the Medusa"
by Helene Cixous


Medusa
Classic myth made Medusa the terrible Gorgon whose look turned men to stone...Actually, Medusa was the serpent-goddess of the Libyan Amazons, representing "female wisdom"...She was the Destroyer aspect of the Triple Goddess called Neith in Egypt, Ath-enna or Athene in North Africa. Her inscription at Sais called her "mother of all gods, whom she bore before childbirth existed." She was the past, present, and future: "All that has been, that is, and that will be."...she was death and to see her face to face was to die-...She was veiled also because she was the Future, which always wears a veil...(from The Woman's Encyclopedia of Myths and Secrets by Barbara Walker, "Medusa" p. 629)
Cixous states that "You only have to look at the Medusa straight on to see her. And she's not deadly. She's beautiful and she's laughing" (355). Men need femininity and death to be associated, but in reality they are obviously not the same-just as the Medusa is not death, she is laughing



Her definition of "Woman"

Cixous' article must be read using her definition of woman. She states:
When I say 'woman,' I'm speaking of woman in her inevitable struggle against conventional man: and of a universal woman subject who must bring women to their senses and to their meaning in history. But first it must be said that in spite of the enormity of the repression that has kept them in the 'dark'-that dark which people have been trying to make them accept as their attribute-there is, at this time, no general woman, no one typical woman. (347)
Throughout the article, Cixous uses this definition of woman. She uses woman as separate from man biologically.



Feminine Writing

Cixous envisions a separate language for women, a "feminine writing" based on women's differences from men. She believes that female sexuality will be included in women's writing because "woman must write her self: must write about women and bring women to writing" (347).

She states that writing will allow women to "write herself" both individually, by returning to her body, and based on her suppression (350-351). She denies that writing is strictly something done with the mind; it can be (and is) done with the body.

It is important for women to write because they have been excluded from almost the "entire history of writing" (350). Writing has a stigma attached to it; it is reserved for the "great men," not for "ordinary" women (348). "It is time for women to start scoring their feats in written and oral language" (351).

Cixous not only discusses feminine writing in this article, she also uses her theories in her own writing. "Her [woman's] speech, even when 'theoretical' or political, is never simple or linear or 'objectified,' generalized: she draws her story into history" (351). Cixous' writing is neither simple nor linear. I think that by putting her theory into practice, she makes her theses much stronger.



Psychoanalysis

Cixous, like other authors we have read, especially Irigaray, uses psychoanalysis in her work. Cixous explores psychoanalysis by looking at Lacan's and Freud's theories and by focusing on language, body, and the mind. Cixous discusses the "Phallic period" that we live in and how women are said to suffer from "castration's lack" (354-355).

She counters this by saying that it is "evident that the penis gets around in my tests...[but] I don't want a penis to decorate my body with." Futhermore, "[t]he woman who still allow herself to be threatened by the big dick, who's still impressed by the commotion of the phallic stance, who still leads a loyal master to the beat of the drum: that's the woman of yesterday" (360). Cixous challenges the way that these "classic" psychoanalysts have viewed women; she states that "The Dark Continent is neither dark not unexplorable" (354).



Sexual Difference

"In the beginning are our differences" (361) is the way that Cixous views the relationship between women and men. Cixous clearly sees the world in a two sex model, divided by sex. She places a strong emphasis on sexual difference.

In her article she questions the separation and the hierarchy of the mind and the body. Women are traditionally linked with the body, which is inferior to the mind. Cixous declares that woman should create a new language by writing through her body. Writing is not strictly done with the mind. She states that the body should not be subordinate to the mind; moreover, the body and the mind should not even be separated.

I thought that a major problem in Cixous' article is apparent when she discusses sexual difference. She places too much emphasis on differences between women and men. However, she does not quite believe that "biology is destiny" because she states that "there are some men (all too few) who aren't afraid of femininity" (355). Another problem is that she talks only to women in this article. She attempts to change women's subordinate place in society by convincing women that they are different. Cixous tends to place other differences (such as race, religion, ethnicity, age, class) subordinate to sex difference. I see this as an important omission in her article.



reading notes done by Janice McCabe