Introduction
The Merle Greene Robertson Collection of Rubbings of Maya Relief Sculpture, whose acquisition began in 1969, contains nearly 2,000 rubbings made on handmade Japanese rice paper with either thick sumi ink or oil paints. This corpus is of major importance for art historians, archaeologists, and Maya epigraphers, as it provides full-scale records of Maya sculpture and hieroglyphic writing primarily from Mexico, Guatemala, and Honduras. Many of the original stone monuments are, as yet, unpublished and/or inadequately photographed. The collection's importance is further magnified due to subsequent physical deterioration of the monuments. Some of them have already been looted from their sites, while most of the rest continue to deteriorate and weather in the jungles of Mexico and Central America.
The rubbings provide a permanent record of the size and condition of the monuments at the time the rubbings were made in the 1960s and early 1970s at dozens of Maya sites.