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Natalie in a
charcoal study
by William Spratling, 1922. |
The
vital factors giving rise to the French Quarter Renaissance of the 1920s
were:
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creation of the Petit Theatre du Vieux Carré (which stirred new
uptown interest in the Quarter, 3,000 members by 1922)
- the Arts and
Crafts Club (attracting talented artists and patrons, over 400 locals
were enrolled in its Royal Street classes by 1924)
-
the Double Dealer
literary magazine (its literary success inspired and attracted great
writers to the French Quarter)
-
and the creation of studio apartments in
the Vieux Carré for artists and writers (the Quarter in 1919-20 was in
semi-ruins, only tenements available).
Natalie Scott proved instrumental in each of these key forces,
all created in the early 1920s, that revived and shaped the French
Quarter Renaissance.
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Drawing of
Natalie by William Spratling from the book
Sherwood Anderson & other Famous Creoles. The drawing is
captioned "Peggy Passe Partout takes a hurdle." |
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Sherwood Anderson & other famous Creoles; a gallery of
contemporary New Orleans, drawn by Wm. Spratling & arranged by Wm.
Faulkner, by Spratling, William, 1900-1967, New Orleans, The
Pelican Bookshop Press, 1926. [51] p. incl. front., illus. 21 cm.
JONES HALL Rare Books (Faulkner/Wisdom),
F379.N5 S883 |
The
Double Dealer
Natalie
was a founder of the Petit Theatre du Vieux Carré and a staff member and
publicist for the Double Dealer. As
the fourth largest investor/contributor to the never profitable Double
Dealer magazine, Natalie and the small volunteer staff brought
stability, talent, enthusiasm and manpower to this unique publication.
Pioneer
Preservationist
Recognizing the French Quarters architectural and aesthetic
value, she risked her meager resources to acquire and restore crumbling
historic properties, one being the Court of Two Sisters, making three of
her buildings refuges where creative people, artists and writers
struggling with little money, could settle in affordable studio
apartments in the stimulating heart of the Vieux Carré. Spratling,
Faulkner, and Oliver LaFarge among those who moved in.
She wrote award winning plays and performed often on
stage, published magazine articles and popular cookbooks on New Orleans
cuisine. As she traveled
across the world, her newspaper column kept her readers entertained, her
activities abroad frequently the subject of front page newspaper
stories.
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